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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Patankar, Mayuri | - |
| dc.date.accessioned | 2020-07-21T05:27:28Z | - |
| dc.date.available | 2020-07-21T05:27:28Z | - |
| dc.date.issued | 2016-12 | - |
| dc.identifier.issn | 0972-1452 | - |
| dc.identifier.uri | http://localhost:8080/xmlui/handle/123456789/5219 | - |
| dc.description.abstract | How does the idea of a Gond homeland find representation in the visual register? Or conversely, how does Gond iconography produce the idea of a homeland? This issue is very tangled in the case of the visual representations amongst the adivasi community of Gonds in the Chhattisgarh-Maharashtra border regions in relation to the idea of ‘Gondwana’/‘Gondwanaland’. | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Indian Institute of Advanced Study, Shimla | en_US |
| dc.subject | Gondwanaland | en_US |
| dc.subject | Gondwana | en_US |
| dc.title | ‘Gondwana’/‘Gondwanaland’ as a Homeland of the Gonds: Storytelling in the Paintings of Gond Pilgrims | en_US |
| dc.type | Article | en_US |
| Appears in Collections: | Summerhill, Vol.22, No.2, (2016) | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| 5.pdf | 682.86 kB | Adobe PDF | Preview PDF |
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