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DC Field | Value | Language |
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dc.contributor.author | Davis, Geoffrey V | - |
dc.date.accessioned | 2020-07-20T10:49:36Z | - |
dc.date.available | 2020-07-20T10:49:36Z | - |
dc.date.issued | 2012-12 | - |
dc.identifier.issn | 0972-1452 | - |
dc.identifier.uri | http://localhost:8080/xmlui/handle/123456789/5188 | - |
dc.description | Page no. - 31 to 41 | en_US |
dc.description.abstract | Some years ago I was staying with friends in Nice in the South of France. One Sunday my hosts took me to the cinema. When we arrived there ñ just before 11 oíclock in the morning ñ there was already a long queue waiting to buy tickets. I was somewhat surprised since it was so early on a Sunday morning, but by the time we came out I understood why the film we had just seen had caused such a stir in France and was so highly regarded by critics and public alike.2 Made by the director Rachid Bouchareb and filmed in France and Morocco, it was called simply Indigènes ñ or The Indigenous ñ and focused on the story of the North African colonial troops who had fought on the side of the French in the Second World War from 1943 to 1945. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Indian Institute of Advanced Study, Shimla | en_US |
dc.subject | Indigenous People | en_US |
dc.subject | White Men | en_US |
dc.subject | Story | en_US |
dc.title | "The biggest adventure": Indigenous People and White Men's Wars | en_US |
dc.type | Article | en_US |
Appears in Collections: | Summerhill, Vol.18, No.2, (2012) |
Files in This Item:
File | Description | Size | Format | |
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(Article-3) Vol -18, no.-2, 2012.pdf | 79.54 kB | Adobe PDF | Preview PDF |
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