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dc.contributor.authorDavis, Geoffrey V-
dc.date.accessioned2020-07-20T10:49:36Z-
dc.date.available2020-07-20T10:49:36Z-
dc.date.issued2012-12-
dc.identifier.issn0972-1452-
dc.identifier.urihttp://localhost:8080/xmlui/handle/123456789/5188-
dc.descriptionPage no. - 31 to 41en_US
dc.description.abstractSome years ago I was staying with friends in Nice in the South of France. One Sunday my hosts took me to the cinema. When we arrived there ñ just before 11 oíclock in the morning ñ there was already a long queue waiting to buy tickets. I was somewhat surprised since it was so early on a Sunday morning, but by the time we came out I understood why the film we had just seen had caused such a stir in France and was so highly regarded by critics and public alike.2 Made by the director Rachid Bouchareb and filmed in France and Morocco, it was called simply Indigènes ñ or The Indigenous ñ and focused on the story of the North African colonial troops who had fought on the side of the French in the Second World War from 1943 to 1945.en_US
dc.language.isoenen_US
dc.publisherIndian Institute of Advanced Study, Shimlaen_US
dc.subjectIndigenous Peopleen_US
dc.subjectWhite Menen_US
dc.subjectStoryen_US
dc.title"The biggest adventure": Indigenous People and White Men's Warsen_US
dc.typeArticleen_US
Appears in Collections:Summerhill, Vol.18, No.2, (2012)

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