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dc.contributor.authorAllen, Richard-
dc.date.accessioned2020-07-20T10:35:19Z-
dc.date.available2020-07-20T10:35:19Z-
dc.date.issued2012-12-
dc.identifier.issn0972-1452-
dc.identifier.urihttp://localhost:8080/xmlui/handle/123456789/5183-
dc.descriptionPage no. - 50 to 56en_US
dc.description.abstractRaja Rao is rightly recognised as one of the three founders of the Indian novel written in English. His later writing, however, moves beyond India and takes a quite different direction from that of R K Narayan or Mulk Anand, to the point where it seems right to ask whether it has become in some sense world literature. To bring this question into a manageable form I will ask it in relation to The Serpent and the Rope (Rao, 1960) and The Cat and Shakespeare? (Rao, 1965), with some reference in the last section also to The Chessmaster and his Moves (Rao, 1988). Defining the term world literature is itself not a simple task, and I will therefore focus my argument through two contrasting definitions drawn from David Damroschís stimulating book, What is World Literature (Damrosch, 2003).en_US
dc.language.isoenen_US
dc.publisherIndian Institute of Advanced Study, Shimlaen_US
dc.subjectLiteratureen_US
dc.subjectRaja Raoen_US
dc.subjectIndian Literatureen_US
dc.titleRaja Rao and World Literatureen_US
dc.typeArticleen_US
Appears in Collections:Summerhill, Vol.18, No.2, (2012)

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