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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Dore, Geetha Ganapathy | - |
| dc.date.accessioned | 2020-07-20T10:16:02Z | - |
| dc.date.available | 2020-07-20T10:16:02Z | - |
| dc.date.issued | 2012-12 | - |
| dc.identifier.issn | 0972-1452 | - |
| dc.identifier.uri | http://localhost:8080/xmlui/handle/123456789/5173 | - |
| dc.description | Page no. - 67 to 74 | en_US |
| dc.description.abstract | field of academic inquiry thanks to postcolonial, sociological and cultural studies approaches to film studies. Sri Lanka has a minor cinematic tradition of its own. The first Sinhala film Kadavunu Poronduwa (The Broken Promise) came out in 1947. Sri Lankan talent was showcased as early as 1957 by Lester James Peries with a film called Rekawa (The Line of Destiny) which was nominated for the Palme díor at the Cannes Festival. His Wekanda Walawwa (Mansion by the Lake) was nominated for Oscar in the best foreign film category in 2003. | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Indian Institute of Advanced Study, Shimla | en_US |
| dc.subject | Displacement | en_US |
| dc.subject | Films | en_US |
| dc.subject | Sri Lanka | en_US |
| dc.subject | Identity | en_US |
| dc.title | Displacement and Identity: Films on the Ethnic Conflict in Sri Lanka | en_US |
| dc.type | Article | en_US |
| Appears in Collections: | Summerhill, Vol.18, No.2, (2012) | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| (Article-8) Vol -18, no.-2, 2012.pdf | 77.74 kB | Adobe PDF | Preview PDF |
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