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dc.contributor.authorPereppadan, Sophy-
dc.date.accessioned2020-07-17T11:25:22Z-
dc.date.available2020-07-17T11:25:22Z-
dc.date.issued2009-06-01-
dc.identifier.issn09721452-
dc.identifier.urihttp://localhost:8080/xmlui/handle/123456789/5073-
dc.description35-39en_US
dc.description.abstractExperimentation with form, during the Modernist period, by disrupting the continuity between the subject and the object, the world and the canvas, by adopting unusual-and multiple points of view, by smuggling ugly and strange themes instead of standard and socially accepted material into the artistic world, and by abandoning all linear sequences in distorting accepted modes of communication exhibited a new kind of art in style, content, form, and medium. This kind of interrogation of the notions of artistic value called for a reconsideration and revaluation of th~ values previously accepted as standard by society.en_US
dc.language.isoenen_US
dc.publisherIndian Institute of Advance Study, Shimlaen_US
dc.subjectGeometrical Art Vs Vital Arten_US
dc.subjectnotions of artisticen_US
dc.titleGeometrical Art Vs Vital Art: A Critique of the Modernist Abstract Arten_US
dc.typeArticleen_US
Appears in Collections:Summerhill, Vol.15, No.1, (2009)

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