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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Chanana, Kuhu Sharma | - |
| dc.date.accessioned | 2020-07-09T06:21:17Z | - |
| dc.date.available | 2020-07-09T06:21:17Z | - |
| dc.date.issued | 2017-12-02 | - |
| dc.identifier.issn | 09721401 | - |
| dc.identifier.uri | http://localhost:8080/xmlui/handle/123456789/4674 | - |
| dc.description | Pg no. 81-97. | en_US |
| dc.description.abstract | Before delving into any detailed discussion on Transgender Cinema, it is imperative to understand the context in which we aim to locate the prefix ‘trans’. Drawing upon the noted transgender cinema critic, Wibke Straube, here in this article the trans is used not as a noun but as a verb which means transing. | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Shimla, Indian Institute of Advance Study. | en_US |
| dc.subject | Game - Cricket | en_US |
| dc.subject | Trans Cinema | en_US |
| dc.title | The Overlapping of Spatial Dynamics, Game of Cricket and Necropolitics in Bol | en_US |
| dc.type | Article | en_US |
| Appears in Collections: | Studies in Humanities and Social Sciences (SHSS) Vol.24, No.2 2017. | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| SHSS Article 24.2.6.pdf | 87.81 kB | Adobe PDF | Preview PDF |
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