Please use this identifier to cite or link to this item: http://localhost:8080/jspui/handle/123456789/4516
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dc.contributor.authorMisra, R.N.
dc.date.accessioned2020-07-06T09:25:24Z
dc.date.available2020-07-06T09:25:24Z
dc.date.issued2005-06-01
dc.identifier.issn09721401
dc.identifier.urihttp://localhost:8080/xmlui/handle/123456789/4516
dc.descriptionPage- 131 to 151en_US
dc.description.abstractThere is no royal road to interpreting the 'rights' of passage of silpa ('skill'. craft') and silpin (' artist', craftsman') for their journey in time and history is embedded in contradictions. These contradictions apparently grew out of the ' high' ritual and creative antecedents of the Vedic silpa in its being a divine act of marvel and power or later in Sutra-s in the 'lowliness' of its being vrtti-s 'occupations'. With one implication intruding upon the other or displacing it altogether, contradictions seem to have been legitimized by practice.en_US
dc.language.isoenen_US
dc.publisherIndian Institute of Advanced Study, Shimlaen_US
dc.subjectskill craften_US
dc.subjectartist', craftsmanen_US
dc.subjectHistoricalen_US
dc.titleSilpa's 'Rights' of Passage in Traditionen_US
dc.typeArticleen_US
Appears in Collections:Studies in Humanities and Social Sciences (SHSS) Vol.12, No.1(2005)

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