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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Mitra, Sunetra | |
| dc.date.accessioned | 2020-07-06T07:19:43Z | |
| dc.date.available | 2020-07-06T07:19:43Z | |
| dc.date.issued | 2008 | |
| dc.identifier.issn | 09721401 | |
| dc.identifier.uri | http://localhost:8080/xmlui/handle/123456789/4500 | |
| dc.description | page no. 103-116 | en_US |
| dc.description.abstract | Cinema, in Asia and India, can be broadly classified into three categoriesópopular, artistic and experimental. The popular films are commercial by nature, designed to appeal to the vast mass of people and to secure maximum profit. The artistic filmmaker while not abandoning commercial imperatives seeks to explore through willed art facets of indigenous experiences and thought worlds that are amenable to aesthetic treatment. | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Indian Institute of Advanced Study, Shimla | en_US |
| dc.subject | Bollywood | en_US |
| dc.subject | Cinema | |
| dc.title | Of grandeur and valour : bollywood and India's fighting personnel 1960-2005 | en_US |
| dc.type | Article | en_US |
| Appears in Collections: | Studies in Humanities and Social Sciences (SHSS) Vol.15, No.1-2 (2008) | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| SHSS 2008 article 6.pdf | 64.56 kB | Adobe PDF | Preview PDF |
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