<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0">
  <channel>
    <title>DSpace Collection:</title>
    <link>http://localhost:8080/jspui/handle/123456789/4824</link>
    <description />
    <pubDate>Sat, 14 Mar 2026 00:28:53 GMT</pubDate>
    <dc:date>2026-03-14T00:28:53Z</dc:date>
    <item>
      <title>A pattern of henna on autumn's feet</title>
      <link>http://localhost:8080/jspui/handle/123456789/5047</link>
      <description>Title: A pattern of henna on autumn's feet
Authors: Vajpeyi, Udayan
Abstract: According to Wagish Shukla reading poetry is like deciphering&#xD;
ancten~ scripts. Deciphering ancient scripts would mean you are trying to guess at them. Reading literature is guessing at&#xD;
what is literature? The following essay comprises five ways&#xD;
of con}ecturmg about the ancient script we call literature. 1&#xD;
have tried to gr~pe for this elephant of a question in five&#xD;
ways of being blind. I do realize, however, that this question&#xD;
an? I  engaged in a game of musical chairs, and in the&#xD;
uninterrupted music of despair, neither of us is. likely to get a&#xD;
chance to sit down.
Description: 18-19</description>
      <pubDate>Tue, 01 Jun 1999 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://localhost:8080/jspui/handle/123456789/5047</guid>
      <dc:date>1999-06-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Writing, infinity, and dialogicality</title>
      <link>http://localhost:8080/jspui/handle/123456789/5046</link>
      <description>Title: Writing, infinity, and dialogicality
Authors: Manjali, Franson
Abstract: One of the main features of 'modern'&#xD;
thought, which is also largely how it&#xD;
seeks to define itself, is an&#xD;
oppositional way of thinking. This&#xD;
modem way has indeed travelled a&#xD;
long distance, from its ancient Greek&#xD;
roots, and perhaps has its parallel&#xD;
routes among the other ancients
Description: 16-17</description>
      <pubDate>Tue, 01 Jun 1999 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://localhost:8080/jspui/handle/123456789/5046</guid>
      <dc:date>1999-06-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Contents</title>
      <link>http://localhost:8080/jspui/handle/123456789/4975</link>
      <description>Title: Contents</description>
      <pubDate>Tue, 01 Jun 1999 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://localhost:8080/jspui/handle/123456789/4975</guid>
      <dc:date>1999-06-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Ashok Vajpeyi with Madan Soni and Deependra Baghel</title>
      <link>http://localhost:8080/jspui/handle/123456789/4974</link>
      <description>Title: Ashok Vajpeyi with Madan Soni and Deependra Baghel
Authors: Vajpeyi, Ashok; Soni, Madan; Baghel, Deependra
Abstract: Ashok Vajpeyi, eminent Hindi poet and critic and vice-chancellor&#xD;
of Mahatma Gandhi International Hindi University, is also known&#xD;
for his promotion of the arts and literature. In a career spanning ·&#xD;
nearly thirty years he has helped transform the arts and literary&#xD;
scene in the country through institutions such as the controversial&#xD;
Bharat Bhavan at Bhopal. He is, certainly, among the most&#xD;
sophisticated literary connoisseurs around, and it is on this aspect&#xD;
of his personality that we chose to focus in this conversation.
Description: 3-6</description>
      <pubDate>Tue, 01 Jun 1999 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://localhost:8080/jspui/handle/123456789/4974</guid>
      <dc:date>1999-06-01T00:00:00Z</dc:date>
    </item>
  </channel>
</rss>

