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  <title>DSpace Collection:</title>
  <link rel="alternate" href="http://localhost:8080/jspui/handle/123456789/4162" />
  <subtitle />
  <id>http://localhost:8080/jspui/handle/123456789/4162</id>
  <updated>2026-03-14T00:33:23Z</updated>
  <dc:date>2026-03-14T00:33:23Z</dc:date>
  <entry>
    <title>Contents</title>
    <link rel="alternate" href="http://localhost:8080/jspui/handle/123456789/4807" />
    <author>
      <name />
    </author>
    <id>http://localhost:8080/jspui/handle/123456789/4807</id>
    <updated>2020-07-13T10:25:52Z</updated>
    <published>2003-12-01T00:00:00Z</published>
    <summary type="text">Title: Contents</summary>
    <dc:date>2003-12-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Nature of Historical Thinking and Aitihya Problem of the Construction of Significance</title>
    <link rel="alternate" href="http://localhost:8080/jspui/handle/123456789/4804" />
    <author>
      <name>Singh, Navjot</name>
    </author>
    <id>http://localhost:8080/jspui/handle/123456789/4804</id>
    <updated>2020-07-14T05:32:39Z</updated>
    <published>2003-12-01T00:00:00Z</published>
    <summary type="text">Title: Nature of Historical Thinking and Aitihya Problem of the Construction of Significance
Authors: Singh, Navjot
Abstract: Broadly speaking, the paradigm of 'aitihya' is anchored in the nature&#xD;
and structure of narrative just as the paradigm of modem history is&#xD;
embedded in the autonomy of evidence. Yet, the spectrum varying&#xD;
from evidence-hunting to significance-directed-narration is so wide&#xD;
today that the contentious enterprises of history and of itihasa have&#xD;
arbitrarily come to be encompassed together into this. In vernacular&#xD;
circuits, ' history' continues to be pragmatically translated as 'itihasa',&#xD;
unmindful of the theoretical discord between the two that brews&#xD;
underneath.
Description: 1-28</summary>
    <dc:date>2003-12-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Rta,.Dharma, and Sanatana Dharma in Indian Culture: A Critical Appraisal</title>
    <link rel="alternate" href="http://localhost:8080/jspui/handle/123456789/4801" />
    <author>
      <name>Nayak, G.C.</name>
    </author>
    <id>http://localhost:8080/jspui/handle/123456789/4801</id>
    <updated>2020-07-13T10:13:23Z</updated>
    <published>2003-12-01T00:00:00Z</published>
    <summary type="text">Title: Rta,.Dharma, and Sanatana Dharma in Indian Culture: A Critical Appraisal
Authors: Nayak, G.C.
Abstract: Sanatana dharma literally means eternal law, principle, or norm.&#xD;
But in order to understand the concept of Saniitana dharma, as it is&#xD;
used in our cultural heritage, it is important that we first have a&#xD;
working knowledge of what dharma stands for. The word dharma&#xD;
is not easily translated into the English language. Dharma has been&#xD;
used in different contexts to means different things, but it is usually&#xD;
understood as that principle or law which sustains, supports or&#xD;
maintains (dhiiralJaY individuals as well as the social order, and&#xD;
when applied beyond the context of society to a broader universal&#xD;
context, it would mean that law which sustains or maintains the world&#xD;
as a whole, the universe itself.
Description: 29-41</summary>
    <dc:date>2003-12-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Conceptual Bases of Vedic Technology</title>
    <link rel="alternate" href="http://localhost:8080/jspui/handle/123456789/4798" />
    <author>
      <name>Chaturvedi, Prem Sagar</name>
    </author>
    <id>http://localhost:8080/jspui/handle/123456789/4798</id>
    <updated>2020-07-13T10:06:36Z</updated>
    <published>2003-12-01T00:00:00Z</published>
    <summary type="text">Title: Conceptual Bases of Vedic Technology
Authors: Chaturvedi, Prem Sagar
Abstract: It is now well-nigh affirmed that there is no dearth of creative skills&#xD;
and technological actions in the Vedic literature. A number of&#xD;
technologies relating to wood, leather, basketry, textile, lithic, ceramic&#xD;
and others were being practiced by the Vedic-Aryans quite deftly&#xD;
and with a high degree of workmanship.
Description: 43-51</summary>
    <dc:date>2003-12-01T00:00:00Z</dc:date>
  </entry>
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